MONSTER MAGNET: Toda la info sobre su inminente gira española la próxima semana

Noise On Tour Promotions
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MONSTER MAGNET: GIRA ESPAÑOLA

Monster Magnet, considerados unos de los mayores exponentes del space-rock y el rock-psicodélico de los últimos 20 años, reaparece por la puerta grande con su noveno disco de estudio, titulado “Lost Patrol”, que verá la luz el próximo 5 Octubre a través de Napalm Records y que será presentado en Barcelona (BIKINI) y Madrid (ARENA) los próximos 5 y 6 de Febrero respectivamente.

Influenciados por nombres históricos como Hawkwind, The Stooges, Alice Cooper o Black Sabbath y por la cultura americana de Serie B, Monster Magnet han sabido evolucionar, probar con diferentes vertientes estilísticas, incluso el hard-rock, el cual les hizo llegar a ser superventas gracias a su disco “Powertrip”, y llegar a la cumbre para ser referencia de muchas bandas que han ido surgido en el nuevo milenio.

Con “Last Patrol”, Dave Wyndorf y compañía parecen venir dispuestos a recuperar la agresividad de sus primeros años, aquellos riffs ácidos, pesados y dirigidos con maestría hacía ritmos psicodélicos que nos llegan a tele transportar a finales de los ´60s y principios de los ´70s.

Como artista invitado, Monster Magnet ha incluído en la gira a Steak, cuarteto inglés que nos ofrecen una pincelada stoner/Rock muy bien ejecutada, muy en la linea de los suecos Dozer, los clásicos Kyuss y los no menos clásicos Clutch.

5 FEBRERO 2014, 20:00h

BARCELONA, BIKINI

PRECIO: 25€ (Taquilla 30€) VENTA ANTICIPADA: Discos Castelló, Revolver, www.ontheroadmusic.es Fnac, Carrefour, en el teléfono 902 150 025 y en los puntos oficiales de la red www.ticketmaster.es

6 FEBRERO 2014, 20:00h

MADRID, ARENA

PRECIO: 25€ (Taquilla 30€) VENTA ANTICIPADA: Escridiscos, Sun Records, Cuervo Store, www.ticketea.com, Fnac, Carrefour, en el teléfono 902 150 025 y en los puntos oficiales de la red www.ticketmaster.es

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http://www.noiseontour.com

Próximos lanzamientos MUNSTER RECORDS / DISCOS ALEHOP !!!

Artist: ‘O’ LEVEL

Title: PSEUDO PUNK

Label: Munster / Discos Alehop!

File under: punk-pop

Release date: April 19, 2014

HIGHLIGHTS

First vinyl reissue of the recordings of ‘O’ Level, one of the early bands of maverick pop artisan Ed Ball, also a

member of Teenage Filmstars, Television Personalities and The Times.

Ed Ball has one of the most interesting careers to come out of UK punk, spanning over three decades under

different names and as a solo artist, and touching on pop, punk, new wave, psychedelia and anything else in

order to create pure pop art.

DESCRIPTION

Munster Records presents, in a co-release with Discos Alehop!, the first vinyl reissue of the two official singles of British band ‘O’ Level: ‘East Sheen’ (recorded in November 1977 and released on Psycho) and ‘The Malcolm EP’ (recorded in

December 1978 and released by the Kings Road label). This compilation also includes three tracks from February 1979 never released on vinyl before, plus a rawer alternative version of ‘East Sheen’ dating from March 1978.

‘O’ Level was created in 1976 by London guitarist Ed Ball along with two friends from school, the Benett brothers (John on drums and Gerard on bass), who would leave the band in March 1978. That same line-up plus Dan Treacy (another school friend of Ball’s) recorded the first Television Personalities single in 1977, titled ’14th Floor’.

‘O’ Level self-released that same year a first single which included three tracks strongly influenced by punk’s energy (Buzzcocks and Undertones guitars and melody on ‘East Sheen’) and attitude (with ironic comments about fake punks on ‘Pseudo Punk’), but all of as if seen from a distance, outside a decadent scene which had already been absorbed by the establishment. The single also features a sort of homonymous anthem called ”O’ Levels’. As a record collector anecdote, there are two versions of the single with different covers, which go for very high prices.

Ed Ball, DIY superhero, returned in late 1978 with four more hits, displaying a sound more oriented towards 60s pop but with the new wave spirit of the time. On this occasion he was accompanied on bass, drums and backing vocals by… himself, Ball played everything! The single, titled ‘The Malcolm EP’, contains a new hit in "homage" to Malcolm McLaren, ‘We Love Malcolm’; a portrait of the scene, ‘Everybody’s On Revolver Tonight’ (where the pseudo punks and part time punks make another appearance); and two tracks with 60s melodies: ‘Leave Me Alone’ (with a very Love-esque chorus) and ‘Stairway To Boredom’ (pure new wave sound).

But Ed Ball’s music career didn’t end with this second single. After recording three more tracks in February 1979 which have never been released on vinyl until now, he continued developing the same strand of wonderful pop through the 80s and 90s with bands such as Teenage Filmstars, Television Personalities, The Times and many more, ending with four records as a solo artist. ‘O’ Level was Ed Ball, a passionate pop artisan who deserves to be rediscovered.

TRACKLIST

Side 1

1. EAST SHEEN

2. PSEUDO PUNK

3. ‘O’ LEVELS

4. WE LOVE MALCOLM

5. LEAVE ME

6. EVERYBODY’S ON REVOLVER TONIGHT

Side 2

1. STAIRWAY TO BOREDOM

2. MANY UNHAPPY RETURNS

3. I LOVE TO CLEAN MY POLARIS MISSILE

4. DON’T PLAY GOD WITH MY LIFE

5. EAST SHEEN REVISITED

Artist: TEENAGE FILMSTARS

Title: (THERE’S A) CLOUD OVER LIVERPOOL

Label: Munster / Discos Alehop!

File under: Pop

Release date: April 19, 2014

HIGHLIGHTS

First vinyl reissue of the recordings of Teenage Filmstars, one of the early bands of maverick pop artisan Ed Ball, also a member of ‘O’ Level, Television Personalities and The Times.

Ed Ball has one of the most interesting careers to come out of UK punk, spanning over three decades under different names and as a solo artist, and touching on pop, punk, new wave, psychedelia and anything else in order to create pure pop art.

DESCRIPTION

Munster Records presents, in a co-release with Discos Alehop!, the three official singles of the British band Teenage Film Stars reissued on vinyl for the first time: ‘(There’s A) Cloud Over Liverpool’ (Clockwork Records), ‘The Odd Man Out’ (Wessex Records/Blueprint Records) and ‘I Helped Patrick McGoohan Escape’ (Fab Listening Records).

After self-releasing two records with his band ‘O’ Level, in 1979 Ed Ball continued the path of 60s-influenced new wave pop already present in that band’s ‘The Malcolm EP’ (1978), now under the name Teenage Filmstars. In this new adventure he was accompanied by his school friends Dan Treacy and Joe Foster (both members of Television Personalities). With their help Ball released a first single in September 1979 featuring two songs: the A side is taken by ‘(There’s A) Cloud Over Liverpool’ (a tremendous chorus-song ) and the B side contained ‘Sometimes Good Guys

Don’t Follow Trends’ (a comment on youth culture). The song ‘(There’s A) Cloud Over Liverpool’ received support by John Peel and reached certain fame in the UK and the United States, where it was interpreted as an homage to John Lennon.

June 1980 saw the release of their second single, titled ‘The Odd Man Out’, where Teenage Filmstars offer as the lead track a catchy ska-pop number in the vein of Madness. The other side featured ‘I Apologise’, a beautiful pop melody punctuated by the kind of guitars characteristic of the revival mod bands of the time.

Their last single, from November 1980, included the track from their repertoire with the biggest potential, ‘I Helped Patrick McGoohan Escape’ (re-recorded in 1982 for Ball’s next project, The Times, again along with Dan Treacy), an homage to the actor Patrick Joseph McGoohan, who worked in the late 1960s cult TV series ‘The Prisoner’. The single’s other side features ‘We’re Not Sorry’, a power pop nugget which links them with bands such as The Jam and Merton Parkas (who were mocked on one of the two sleeves of ‘(There’s A) Cloud Over Liverpool’).

This compilation also includes two tracks never released on vinyl until now which were recorded in April 1979, in the style of ‘O’ Level: ‘He’s A Professional’ (antimilitary punk-pop) and the folk-punk anthem ‘The John Peel March’, dedicated to the legendary BBC radio host and great supporter of new bands. This retrospective is completed with a recording session dated in November 1980 which produced three tracks (‘Storybook Beginnings’, ‘Dressing Up For The Cameras’ and ‘The Sun Never Sets’) which further explore the power pop-mod sound that Ed Ball would develop in his next band The Times.

Ed Ball’s music career would continue into the 1980s and 90s in bands such as Television Personalities (until 1985), The Times (until 1999) and many more projects, including four albums as a solo artist.

TRACKLIST

Side 1

1. (THERE’S A) CLOUD OVER LIVERPOOL

2. SOMETIMES GOOD GUYS DON’T FOLLOW TRENDS

3. THE ODD MAN OUT

4. I APOLOGISE

5. I HELPED PATRICK MCGOOHAN ESCAPE

6. WE’RE NOT SORRY

Side 2

1. STORYBOOK BEGINNINGS

2. DRESSING UP FOR THE CAMERAS

3. THE SUN NEVER SETS

4. HE’S A PROFESSIONAL

5. THE JOHN PEEL MARCH

6. (THERE’S A) CLOUD OVER LIVERPOOL (Composite Mix)

Artist: THE STING RAYS

Title: CRYPTIC AND COFFEE TIME

Label: Discos Alehop!

File under: Psych-jangle-fuzz-pop

Release date: April 19, 2014

The second and last studio album by this English band, originally released in 1987, contained 14 psych-jangle-fuzz-pop hits with 60s/garage/folk influences which didn’t fit in any music scene at the time. File next to The Dentists, The Count Five, TV Personalities, 13th Floor Elevators, The Monochrome Set… but The Sting-Rays were completely unique.

TRACKLIST

SIDE 1

1. Behind The Beyond

2. Hopelessness Of The Human Race

3. Don’t Sell Yourself Short

4. Bitterness

5. The Big Lie

6. Through The Dawn

7. Reason Nor Rhyme

SIDE 2

1. The Burden Of Dreams

2. Tear Them Down

3. Love Of A Kind

4. The Big Tide Will Turn

5. Middle Age Spread

6. I’m Growing Old

7. All These Years

Gira NO MORE LIES

31 Enero Vic @ Jazz Cava + FP + I’m Entrades a www.ticketea.com

1 Febrero Tarragona @ El Cau + The Gundown www.ticketea.com
7 Febrero Barcelona @ Sidecar+ Encono www.ticketea.com
8 Febrero Madrid @ Siroco + Encono www.ticketea.com
14 Febrero Granollers @ Sala 2046 + Cuello (Gratis)
15 Febrero Sant Feliu de Guíxols @ TZVR
28 Febrero Alicante @ Cure + Encono www.bandeed.com

1 Marzo Malaga @ Velvet
2 Marzo Sevilla @ Sala Hollander
3 Marzo Lisboa @ Music Box
4 Marzo Pontevedra @ Liceo Mutante
5 Marzo Santiago de Compostela @ Zona C
6 Marzo Bilbao @ Azkena
7 Marzo Zaragoza @ A.V.V. Arrebato

8 Marzo Manresa @ Els Carlins
21 Marzo Vitoria @ Hibu Huts
22 Marzo Tolosa @ Bonborenea
28 Marzo Badalona @ Estraperlo + The Gundown
29 Marzo Girona @ Apaga la tele
9 Mayo Castellón @ Four Seasons

10 Mayo Valencia @ Magazine + Las Carmonas

253NoMoreLies_album.pdf

US RAILS. Gira en abril de la superbanda del rock-folk USA

US RAILS

"Roots-folk-rock" (USA)

Gira española abril 2014

US Rails
www.usrails.com

20 de abril. Cuco Bar, Aldea de San Miguel

21 de abril. Fiestas del Bollo, Avilés

22 de abril. La Ley Seca, Zaragoza

23 de abril. Sala Son, Cangas Do Morrazo

24 de abril. Azkena, Bilbao -Entradas-

25 de abril. Boite Live, Madrid -Entradas-

26 de abril. Loco Club, Valencia -Entradas-

27 de abril. Rocksound, Barcelona -Entradas-

El supergrupo del prestigioso sello Blue Rose Records, US Rails, parece haber encontrado su camino para ser algo más que un puntual suceso en la historia del rock, después de haber conseguido un estatus de culto y un gran número de fans tanto en Europa como en Estados Unidos. Durante el último año y medio, han girado con éxito por Alemania, Francia, Bélgica, España y los Países Bajos, presentando su segundo álbum, "Southern Canon" y una nueva colección de plácidas versiones acústicas de antiguo y nuevo material titulada "Wire and Wood". En la primavera de 2013, la banda ha realizado su tour europeo más extenso hasta la fecha, presentando material de su ya prolífico catalogo en Blue Rose y su nuevo lanzamiento, el disco "Heartbreak Superstar", que vendrán a presentar de nuevo a Espña en abril de 2014. Un formidable ejemplo de la estrecha unión como banda que han conseguido Tom Gillam, Joseph Parsons, Scott Bricklin, Ben Arnold y Matt Muir. Siguen componiendo y tocando el mejor folk-rock en piezas de espíritu de rock n’ roll para el creciente y hambriento público de la "Americana".

US Rails - Lucky Stars

El nombre de US Rails lleva un tiempo circulando por los círculos mejor informados del folk/rock de raíces. Una pequeño supergrupo de conocidos compositores reunidos originalmente en la escena de Philadelphia, donde causaron una gran expectación con sus primeras actuaciones. Pero fue su aparición en la fiesta navideña de su discográfica, Blue Rose, en 2009, donde definitivamente convencieron a los seguidores germanos de su enorme talento y potencial. Un año después ya tenían en la calle su primer álbum y su primer tour por Europa llegaba poco después. Una aventura que podría haberse quedado ahí para cinco músicos con sus propias carreras al margen de US Rails. Pero cuando la inspiración llega y surge un vínculo musical tan fuerte, no había razón para parar ese tren con tantas cosas que decir y tanta energía que compartir.

Cinco artistas independientes reunidos en un único núcleo, emparentándoles con Crosby, Stills, Nash & Young o los Traveling Wilburys, así como con compañeros de sello como The Resentments o Hardpan, herederos directos de la banda 4 Way Street de Philadelphia. Allí militaban Ben Arnold (guitarra acústica, piano, órgano y voz), con su voz rugosa y emocionante, quizá la más reconocible del grupo, quien lleva editando discos en solitario desde 1993, habiendo estado involucrado en un sin fin de proyectos a ambos lados del Atlántico; Scott Bricklin (bajo, guitarra acústica, órgano y voz), multi-instrumentista, productor, ingeniero de sonido, cantante y compositor, en activo desde los 80; y el batería Matt Muir, el dinámico y excéntrico eje del sonido de la banda, involucrado profundamente en la escena musical de Philadelphia como músico y productor desde hace años. A ellos se suman Joseph Parsons (guitarra acústica, percusión, teclados y voz), de cálida voz, un emocionante maestro de la melodía, y Tom Gillam (guitarra eléctrica, slide y voz), natural de New Jersey, y el contrapunto más rockero de la banda, con una magnífica técnica a la guitarra que recuerda al mejor Joe Walsh.

Convertidos en una imparable fuerza en directo, la profundidad de sus repertorios convierten a sus shows en largas y dinámicas historias en vivo. Es más que un grupo ofreciendo un concierto. Es una experiencia reveladora y vital que no debes perderte!.

GROOVIE RECORDS – Los Saicos “El Mercenario” – SINGLE

Los Saicos "El Mercenario" 7" 222 COPIES LIMITED EDITION – 10 EUROS

Limited to 222 copies in black vinyl with postcard. Numbered.
Contains the studio recording of their lost 1969 track "El Mercenario" plus a superb 2013 live rendition of the same track.

LINK TO STORE

http://www.groovierecords.com/store/index.php?route=product/product&product_id=1058

SOME OTHER RELEASES AVAILABLE – CHECK THE GROOVIERECORDS WEB STORE

www.groovierecords.com/store

GROOVIE RECORDS
RUA DE SÃO PAULO
252 – LISBOA

NUEVO DISCO DE NACHO VEGAS: “RESITUACIÓN”

NACHO VEGAS
"RESITUACIÓN"
Foto: Samantha López
YA HAY TÍTULO PARA EL NUEVO DISCO DE NACHO VEGAS, QUE VERÁ LA LUZ EN ABRIL.
Abril es el mes elegido para la publicación del nuevo álbum de Nacho Vegas, "Resituación", el tercero autoeditado con la etiqueta Marxophone, tras "La zona sucia" y "Cómo hacer crac", editados ambos en 2011.
Abraham Boba, Manu Molina y Luis Rodríguez, colaboradores habituales de Nacho, y Joseba Irazoki, nueva incorporación a la banda, son los músicos que han trabajado en la grabación de este álbum, registrado en el estudio de Paco Loco en El Puerto de Santa María en los últimos meses de 2013. César Verdú ha sido el responsable de mezclarlo en Estudios Reno, en Madrid, con la asistencia de Luca Petricca.
El álbum cuenta, además, con varias colaboraciones, entre ellas Maite Arroitajauregui, de Mursego, el Coro de Ladinamo y el Patio Maravillas y el aragonés Javier Mas, guitarrista que acompaña habitualmente en directo a Leonard Cohen.
En breve se conocerán las primeras fechas de presentación en directo de estas nuevas canciones.
SIGUE A NACHO VEGAS
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THEE GRAVEMEN ( uk ) en la gramola ( orihuela )

Este próximo viernes 31 enero
THEE GRAVEMEN ( uk )
sala – la gramola ( orihuela )
23:00h

8€ .
http://www.reverbnation.com/theegravemen
https://www.facebook.com/TheeGravemen

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Biografía
THEE GRAVEMEN a 2 man garage outfit from Southern Sweden with Lee Tea on guitar and Howls and Daz Trash on Voodoo drums and screams both originating from 18th century deepest darkest England!Trying to find other band members at a similiar age of over 100 years old is quite a hard job so Lee and Daz decided a 2 man band would suffice! Lee Tea with his musical roots from the garage scene having played with the likes of crazy garage killers The EXCITERS from England and now with top Swedish R&B combo The BRANDED and Daz trash coming from the Psychobilly-Punk-Rockabilly side of Trash had been playing with 80’s Psycho screamers SKITZO! They both hooked up with each other at the local brit pub in Malmö and later played a Johnny Cash tribute together. And that was the end of sensible rock n roll as we know it! So come along and see one of THEE GRAVEMENs many shows and darken your party! Mail us for bookings: gravemen
Descripción
From Blues Matters magazine:
DEM BONES! DEM BONES! Sutch-like blues from the frozen north.
Malmo based Brit duo THEE GRAVEMEN are set to bring their decidedly trashy, feral take on the blues to the UK in May. Playing at The Dirty Water Alldayer at The Boston Arms, Tuffnell Park, London on May 28th, theguitar and drum twosome will then return to Sweden for Jiving Jamburee on June 3rd before heading back to Europe in September for a string of dates in France, Scotland, England, Portugal and Germany to coincide with their debut album (to be released this Halloween by Dirty Water Records).
Informed by Howling Wolf with a sprinkling of Cramps and Screaming Lord Sutch horror schtick for good measure, Thee Gravemen wow fans wherever they play their vooddoo tinged blues/rockabilly/garage. Although a two piece they are not following in the footsteps of acts like The White Stripes or Black Keys, but carrying on a tradition of trashy no bass blues bands from the ’50s and ’60s, like Hasil Adkins, Hounddog Taylor etc. Sure the White Stripes made it possible for people to accept that a two piece rock band can be acceptable to a mass audience, but there the similarity ends. Whether playing to serious rock ’n’ roll veterans or younger crowds raised on Jack White and Sea Sick Steve, these top hatted, stripped down analogue musicians take “the blues” right back to the crossroads. No messing! No thrills!

Thee Gravemen LP review from Ringmaster 2012

You cannot get much more simple a set up than offered by trash rock ‘n’ roll band Thee Gravemen or anything as incessantly infectious. Consisting of just a senses cruising guitar and insistent primal beats the duo from the UK, now Malmo, Sweden based, with their self titled album have created a release that knows its sound, loves its sound and is determined you will too.

Thee Gravemen were formed in the autumn months of 2009 by guitarist and vocalist Sir Lee Tea and drummer Devilish Daz Trash, who initially were just doing a one off gig as a duo. Luckily they decided to continue though it was through the lack of finding a suitable stand up bass player as much as anything that tipped the decision to remain a twosome. Behind them the musicians have a good pedigree with Tea having been part of the garage rock band Thee Exciters as well as currently part of Swedish r&b band The Branded, and Trash having been part of UK psychobilly/punk band Skitzo, under the name of Strut. As Thee Gravemen the pair have unleashed a raw and uncomplicated fusion of garage punk, psychobilly and coarse surf veined fuzzed up rock ‘n’ roll, a dirty and boisterous sound that sears the flesh and resonates within the bones.

As can be imagined the songs come from the darkest shadows of the two, the lyrics borne from horror movies, wicked intent and from beneath disturbed ground. The album grabs with an icy clawed grip from the opening ‘Hey There Pretty Baby’ to squeeze and tease, resisting the urge to let go right until the last lingering note of the album passes on. The opening track is relatively subdued compared to what follows throughout the rest of the album but it is immediately noticeable that the production though unfussy and pretty straight forward gives a rich generally full sound, in a way surprising considering the scarcity of instruments.

The album buzzes and crawls over the senses through track after track and though the core of the music is a set spine each song comes from different and enticing angles. ‘Come On’ is a slightly darker track than the opener and reminds of 80’s band The Orson Family whilst the instinctive rhythm led ‘Digging Graves’ has a scuzzed up garage energy that recalls their former bands in many ways.

There is not a weak track on the album; each having their own heart of siren like appeal though it is the beat and rhythm led tracks that make the strongest connection. The pulse beat stomp of ‘Friday At The Hideout’ and the voodoo raw primal rhythms of ‘My Girlfriend Is A Werewolf’, both with a Guana Batz meets Screaming Jay Hawkins like vibe lift the excitement higher but it is when the band go into the realms of The Cramps that they really stand out. ‘My Witch’ is glorious with its distinct twang as distinctly manipulative as the song’s character and ‘Six Feet Down’ alongside the outstanding ‘Shake It’ rip through the ear with primitive ease. The band’s cover of ‘Green Fuzz’ is equally excellent; a very valiant version of The Cramps’ version that easily exceeds the Randy Alvey & Green Fuz original.

Complete with another cover in the hypnotic shape of the Sandy Nelson song ‘Let There Be Drums’ and the immensely fun outro track with after a moments breath ends with a track that sounds like a fictional nightmare when Demented Are Go’s Sparky popped his cherry with Eugene Reynolds of The Revillos, the album is simply fantastic. Released on Dirty Water Records it makes no demands or offers any unnecessary frills but just feeds the soul with inspiring, mischievous and thoroughly essential rock ‘n’ roll.

JOSE BALLESTER
http://www.lagramola.com
TLF : 629089939
EMAIL : lagramolarock

RADIO MOSCOW (Alive/USA) en Madrid

Giradiscos y Funhouse producciones presentan:
RADIO MOSCOW
(Alive/USA)
| Facebook

22.05.14 | 20h | Shoko Live | Madrid

Entradas con descuento a 12€ + gastos (hasta el 22 de febrero o fin de existencias)
Entrada general: 15€ + gastos

Primera fecha de la gira española de Radio Moscow, cuyo nuevo disco se publicará en los próximos meses.

Las modas pasan, pero la idea de un grupo de amigos juntándose en un garage para tocar el tipo de música que hace que los vecinos llamen a la poli, eso es para siempre. Y esa es la idea que ha cristalizado en forma de Radio Moscow. El power trio liderado por el genio de la Strato Parker Griggs han dado con LA fórmula: poderosos acordes crujientes al más puro estilo Sabbath, feroces solos que se ganan a pulso las comparaciones con Hendrix y su bandera firmemente clavada en el territorio donde el rock psicodélico y el blues pasado de vueltas convergen.

El sonido es descaradamente retro (piensa Cream, Blue Cheer, Led Zep o Jimi Hendrix Experience), por lo que es fácil entender como llamaron la atención de Dan Auerbach de The Black Keys, que produjo su debut en 2007, editado en Alive Records al igual que ‘Brain Cicles’ (2007) y ‘The Great Escape of Leslie Magnafuzz’ (2011), discos que les confirman como descendientes directos de la era dorada del rock n roll, y continuando el viaje psicodélico Parker Griggs, que en muy breve tendrá su digna continuación con un nuevo disco que verá la luz en los próximos meses.

RADIO MOSCOW en madrid
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